1724 - Violin "Sarasate"

Soundboard of two pieces of spruce to medium vein that extends to the flanks, with the bass-bar of the twentieth century. Back of two pieces of curly maple to curl medium-broad, glued in a herringbone pattern with apex at the bottom. Ribs of curly maple. Neck original modernized. Initials PS on the peg-box. Orange varnish.

  • 1724, Cremona
  • Antonius Stradivarius Cremonensis / Faciebat Anno 1724
  • 59,8 cm
  • 35,8 cm
  • 16,9 cm
  • 11,2 cm
  • 20,7 cm
  • Parigi (F), Musée de la Musique
  • E.1729
  • Legacy by Pablo Martin Meliton Sarasate y Navascuez 1908
  • Nicolò Paganini 1817/40; Pablo Sarasate 1866/1908
  • 1956 July 11-Millant Deroux, Paris (Opening, repair of three fractures of the table, remaking of the chain, filling holes of woodworm in the top left and bottom in the left C, sounpost, bridge, adjusting the sound, set of strings Eudoxa), 1962 November 19, Etienne Vatelot (remove the soundboard, remaking of diamonds of the table, remaking of the soundpost, rectification to the center of the back, filling holes of woodworms, adjustment neck, re-gluing of the soundboard, retouch of the varnish, application of sweet almond oil to revive varnish, frame and fine tuning)
  • Kotzius Voloninis (& son) 1817; Nicolò Paganini 1817/40; Baron Achille Paganini 1840; Jean-Baptiste Vuillaume (Paris) 1866; Pablo Sarasate 1866/1908; Musée du CNSM (Paris) 1909
  • 1985, Paris: La facture instrumentale europeènne ...; 1987, Cremona: Capolavori di Antonio Stradivari; 1998/99, Paris: Violons, Vuillaume : un maître luthier français du XIXe siècle, 1798-1875
  • Hill 1902; René Brancourt 1913; Hill 1963; Goodkind 1972; Bauer-Bran-Ricci 1975; Young 1980; Hill 1980; AA. VV. 1985; Beare 1987; Gold 1994; Gétreau 1996; AA. VV. 1998 (II); Campos 1998; Echard 2004; AA. VV. 2006 (II); Echard 2006; Echard 2010; Echard 2010 (II); Greiner 2010
creato:giovedì 8 marzo 2012
modificato:giovedì 23 marzo 2017